Legacy films · by application

Celebrate your life

A biopic of you, or someone you love. You sit for interviews with a real human. An AI producer and AI film crew write, restore every photograph, shoot, score and cut. Your family keeps it.

The shoebox{{ hp.count }}
● 00:00:00:00 {{ d.year }} {{ d.tc }}
{{ d.caption }}{{ d.sceneNo }}
{{ hp.cutBig }}{{ hp.cutSmall }}
M{{ hp.mark.icon }}{{ hp.who }} {{ hp.line }}
The shoebox{{ hp.count }}
● 00:00:00:00 {{ hp.big.year }} {{ hp.big.tc }}
{{ hp.big.caption }}{{ hp.big.sceneNo }}
{{ d.year }}
M{{ hp.mark.icon }}{{ hp.who }} {{ hp.line }}
{{ talk.title }}{{ talk.note }}
{{ talk.dur }}
How it works

You tell it. We board it. We shoot it.

1You tell itThree sittings with your producer. Bring the shoebox. That’s your whole job.
2We board itA screenplay and a storyboard of your life, the way a studio plans a film. You read it; we revise it.
3We shoot itPhotographs brought to life, scenes shot, a score written. Two more rounds of notes, then the masters.
Step two · the board

On paper first. Read it. Change it.

The screenplay is written from your sittings. We board it — one frame per beat. You approve it before a camera rolls. Round one of three.

MARGARET · A LIFE · DRAFT 2{{ pageNo }}.
{{ ln.text }}
CH. {{ chapterNo }} OF 9{{ noteLabel }}
Storyboard · chapter {{ chapterNo }}{{ boardNote }}
{{ pn.slug }}{{ pn.cam }}
PHOTO · {{ pn.slug }}
SHOOT · {{ pn.slug }}
 {{ pn.num }}
{{ pn.caption }}
M{{ boardMark.icon }}{{ boardWho }} {{ boardLine }}
MARGARET · A LIFE · DRAFT 2CH. {{ chapterNo }}
{{ ln.text }}
Writing. Nothing is boarded that isn’t written.
{{ bigPanel.slug }}{{ bigPanel.cam }}
{{ bigPanel.tag }}
M{{ boardMark.icon }}{{ boardWho }} {{ boardLine }}
Memory Lane · photo restoration

Every photograph comes back better. Then moves.

Restored for your eyes. Then prepared for the camera: detail the video model needs, a 16:9 frame with no crop, and a slow move with their voice. Drop one of yours in.

A 1958 family portrait
restoredvideo-ready
4× · faces + handsgrain 0
{{ v.label }}
Push in · Gentle · 8s
M{{ ml.mark.icon }}{{ ml.who }} {{ ml.line }}
{{ ml.note }}
Scene 4 · The wedding, 1968{{ ml.status }}
CameraPush in
PacingGentle
Dialogue
VOMargaret: “He borrowed the suit. I never told him I knew.”
Her voice · from the second interview · position: left
{{ l.t }}{{ l.m }}
The wedding, 1968
A 1958 family portrait
restoredvideo-ready
4× · faces + handsgrain 0
{{ v.label }}
Push in · Gentle · 8s
M{{ ml.mark.icon }}{{ ml.who }} {{ ml.line }}
{{ ml.note }}
M{{ ml.mark.icon }}{{ ml.who }} {{ ml.line }}Tap for next
How it goes

Four to six weeks. Your job is to remember.

A human producer runs it and speaks for the crew. Writing and restoration start while you’re still being interviewed.

{{ st.when }} M{{ st.icon }} {{ st.title }}{{ st.text }} {{ st.you }}
By application

Tell us whose story it is.

Priced by the finished minute. We talk first, decide together whether it’s a fit, then price it. We turn down stories we can’t make well.

Forty minutes, no obligation.In person where we can.Three rounds of notes, always.
{{ formNote }}
Application received.It went through. We read every one and reply within two working days \u2014 watch your inbox.
No need to send it twice.