The Set · for a person

A film crew for one presenter.

One photo, twenty seconds of voice. Mira writes; the crew dresses, shoots, scores and cuts. You approve frames and give notes. Present it yourself, or cast a colleague or an AI actor.

Watch the film Your first 30-second video is free.

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Phone photo. Twenty seconds of voice.

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How a scene gets made

Nothing rolls until you've seen the frame.

Every scene goes through the same gate: the crew builds a still, you approve it or give a note, and only then does the camera move. This is one scene, on a loop.

What you gave the crewOne photo. Twenty seconds of voice. Three sentences about what you do.

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SC 3 · INT. OFFICE — GOLDEN HOUR35mm · slow dolly in

"You wanted to build something. You got a support queue."

Approve this frame? Your note: "Warmer. Less desk."

REC · 8s

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SC 3 · INT. OFFICE — GOLDEN HOUR

Approve this frame?

REC · 8s

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Approval gateYou see the still before the camera moves. Nothing renders on a frame you didn't approve.

Notes and retakes"Warmer. Less desk." is a complete note. Theo reframes, Mira brings the new take.

Director's insightEvery choice is explained — the lens, the light, the blocking. You learn the set as it works.

The presenter

One phone photo in. A production out.

Eli locks the face from one photo and holds it through every scene. Lola dresses each location. Sasha makes skin read as skin. Same person, every frame.

A selfie on a phone, and the same woman in four cinematic scenes: a corner office at sunset, a snowy summit, a restaurant kitchen, a keynote stage

M{{ mEli.icon }}Eli locked 47 landmarks from the selfie — the same face on the summit and at the podium.

M{{ mLola.icon }}Lola blazer for the office, shell for the summit, whites for the pass. Wardrobe follows the scene.

M{{ mSasha.icon }}Sasha skin, fabric, steam, snow. The pass that stops a beautiful frame looking generated.

The Set, on screen

Three screens. That is the whole production.

The brief, the scene, the cut. Everything else is the crew’s.

Orchestra

The Set brief: project title, script, portrait photo uploaded, voice picked, director controls

1 · The brief

M{{ mMira.icon }}Mira takes a script or three sentences, your photo, your voice. Director controls are there if you want them; she sets them if you don’t.

Orchestra

A scene card: Scene 7 completed, the six-stage production pipeline checked off, the visual theme, raw video, final video and soundscape

2 · The scene

M{{ mTheo.icon }}Theo writes the visual theme and plans the shot; the pipeline ticks through screenplay, art direction, photography, sound. Raw take, final take, soundscape — side by side, per scene.

Orchestra

The editor: ten scene clips and soundscapes on a timeline under a full-width preview, AI mix complete

3 · The cut

M{{ mMo.icon }}Mo assembles the scenes, soundscapes and score on the timeline; Beck mixes to broadcast levels. Move a clip if you like. Most people don’t.

Multi-settingA location per scene, cut into one film.

Single settingOne room, full coverage. Talking-head work.

Quick cutVertical, fast, social-first.

The crew on The Set

Twelve agents. You meet one.

Mira runs the floor and briefs the same specialists every time — so your third film looks shot by a crew that knows you.

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Your first 30-second video is free.

Six scenes with a presenter of your choosing, an original score and soundscape. Landscape or vertical. Watermarked, no card — back to you in hours, not weeks.

Start free